Dana Shanti’s sole mark on 2020 (save August’s release of her pulled-from-the-archives Butterfly In the Storm) is possibly her most stirring and potent of her career. Doubling as both an autobiographical glimpse into her childhood behind the Berlin Wall, and commentary on the current state of human interaction, the genre-defying and self-produced Stronger Than Walls rejects the idea of being beholden to any sort of boundary or vehicle of separation.
